

In the United States, any standard three-prong power cord – like the one on the back of most monitors – should fit. Since power plug configurations vary around the world, Blackmagic has opted to have you provide your own. This is an international, multi-standard system that can be installed into 120-240V/50-60Hz electrical systems. Like other Blackmagic rack units, UltraStudio 4K does not come with a power cord. Finally, UltraStudio 4K supports connection to a VTR, so it includes a standard 9-pin remote connector. There’s a Thunderbolt loop-through, as well as two SDI loops for the two SDI input connections. If you need more than two channels of audio, then that is designed to be passed as embedded SDI or over AES. The back panel connections cover pretty much everything, including SDI, HDMI, composite and component analog video, AES digital audio, as well as XLRs for timecode and two channels of analog audio. The sleek front surface features a small confidence LCD display and six illuminated audio/video input selector buttons.Īs a 4K unit, it supports numerous 4K UHD, 4K DCI, 2K, 1080p, 720p, NTSC, and PAL formats and frame rates. All connections are on the back plane and the fan vents through the sides for tight rack spacing.
Adobe premiere pro cc 2015 blackmagic audio disappear Pc#
It is one rack unit tall, connects to a Mac or PC via a single Thunderbolt cable, and is compatible with Thunderbolt and Thunderbolt 2 protocols. The UltraStudio 4K is a rack-mount unit that’s designed for facility or mobile truck installation. I tested the UltraStudio 4K and UltraStudio Express, which sit in the middle of the family. This includes the low-cost Mini Recorder and Mini Monitor modules at one end and the UltraStudio 4K Extreme at the other. To address the varied needs that range from one-man-band shops to large facilities, Blackmagic Design has developed the UltraStudio Thunderbolt product family.

Post-production technology is changing with the shift to file-based workflows, Thunderbolt data paths, and adoption of 4K.
